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INTERVIEW with boudoir photographer, Emma JonesINTERVIEW with boudoir photographer, Emma Jones In 4 short years, Emma has made a profession out of turning regular women into divas from the past through her photographic creations. From vintage glamour to pin-up & retro style photos, Emma does not hold back in bringing what she has to, to make the shot.

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WIN a lavender daisy prop hat for babies!WIN a lavender daisy prop hat for babies! Are you an infant/ toddler photographer? A proud parent of your little angel? Or know anyone who has a baby you'd like to decorate with an adorable hat? We've got just the thing for you. Posh Little Tutus is sponsoring one of their best products, the Lavender Wishes Infant Daisy Prop Hat specially...

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Interview with landscape photographer, Jessy C. EykendorpInterview with landscape photographer, Jessy C. Eykendorp You've not seen Indonesia until you've seen it through Jessy C Eykendorp's lens. Better known as tropicalLiving on Flickr, Jessy's photostream is filled with dreamy landscape photos that make postcards look bad.

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Is 'round-the-world' photography right for you?Is 'round-the-world' photography right for you? Find yourself wanting to ride a boat through the colorful floating market in Thailand one weekend and visiting the Swayambhu temple in Kathmandu the next? Round-the-world' (RTW) travelling might be just the thing for you.

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Palestinian women photojournalists Palestinian women photojournalists Palestinian women started taking photographs of families and holy places, ceremonies and weddings, but ended up taking pictures of bodies of killed young children, shelled schools ruined homes, and lots of blood

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WINNER of the lavender daisy prop hat contest

Many thanks to all participants of the lavender daisy prop hat contest! Your enthusiasm and and support made Chiq Clicks’ first ever contest an amazingly fun one.

Here are the winners of:

Many congrats to all the winners and of course to Posh Little Tutus for their amazing gift. Head over to Posh Little Tutus to check out their other fantastic props for babies and infants.

As the response for this contest was so great, Chiq Clicks will host another contest soon, giving away 2 Hufa lens cap clips. It’s so nifty! You’ll never lose your lens caps again.

Photo from hufaholder.com

Watch this space for the contest announcement!

INTERVIEW with boudoir photographer, Emma Jones

Chiq Clicks greets September in sexy boudoir style with an exclusive interview with Emma Jones from Miss Boudoir.

With many A-list celebrities such as Lady Gaga, Christina Aguilera and Kathy Perry rocking the vintage glamor look, many are opting for boudoir style portraits over regular portraits. While not many photographers are able to fully master this style of photography, Emma picked it up quickly.

In 4 short years, Emma has made a profession out of turning regular women into divas from the past through her photographic creations.  From vintage glamour to pin-up & retro style photos, Emma does not hold back in bringing what she has to, to make the shot.

Take a peak to see what goes on behind the curtains as we find out from Emma, how and what it takes to make boudoir photography work.

1. How would you describe yourself in 1 sentence.
Bubbly, loving and enthusiastic with a mind that is constantly thinking/creating.

2. In your opinion, what is the essence of boudoir photography?
In short it’s sexy, romantic, fun, energized, beautiful, loving and tasteful. To me boudoir photography is a very personal portrait of a woman showing her sensual side, whether that is feminine, raunchy or playful. Everybody is different and one doesn’t fit all.

Some say boudoir is or should be a soft, romantic side of glamour photography but for me, it’s whatever the client wants it to be interpreted as to the viewer.

3. How did you start Miss Boudoir and how long has it been running?
I started Miss Boudoir® in March 2007 when I opened my first specialist boudoir studio. I’d been self-employed as a photographer since leaving college in June 2003 and was undertaking weddings, portraits, model folios, headshots, music photography and product photography.

I longed to follow my passion for a more exciting area of portrait photography that I could combine with my love for vintage styles. The boudoir just seemed to happen after people started asking for burlesque and a classic yet tasteful style of lingerie photography.

4. Can you make any woman look sexy?
I don’t make people look sexy, I believe all women are sexy and beautiful in their own way, myself and the stylists simply highlight their natural allure thus make it more apparent.

5. Who are your most common clients?
We have a lot of brides-to-be wanting albums for their grooms, wives and girlfriends wanting sexy photo gifts for their loved ones and ladies wanting photos to send over to their partners in the forces. All of which are fantastic ideas and ways to celebrate or spice up a relationship.

Other common shoot reasons are clients requiring a confidence boost, others want to satisfy their curiosity of what a boudoir shoot entails and then we have clients needing saucy and classy images for their websites.

In the past year we’ve had a number of pro photographers opting for a boudoir shoot with us, simply to get a feel of the experience from a client’s point of view, see what goes on and like the majority of women, they want some nice photos of themselves to look back on.

6. Boudoir photography can be a bit of a taboo for the more conservative people. How do you deal with the critiques?
I’ve not had any so far but if I did, I’d simply say look the other way if you aren’t happy to see a woman celebrate her figure and femininity.

7. What is the best thing a happy client has ever said to you?
Oh gosh this is hard. We have so many nice comments, guest book entries, tears of joy and cards from our clients that it really is hard to single out just one comment.

One of my recent clients had been ill and bedridden for a long time. She hated being in front of the camera but really wanted to be able to have her hair and make-up styled and undertake a vintage shoot after waiting 13 years to be well enough. She was fabulous, enjoyed it thoroughly and her partner was astonished at the album presented to him and that she’d actually managed to do all this without him knowing.

Her feedback of the entire experience has been many emails long and I feel we made an impression on each other with what we achieved that day and what it has enabled her to go on to achieve. It’s not just one comment but a catalogue of feedback that I am overwhelmed by and deeply proud of.

8. What is the most outrageous shoot you’ve ever done?
I’m fairly boring in this sense, I’ve not done anything truly wacky as of yet. By request I’ve photographed one client on the boudoir sets in a hunting jacket and muddy wellies, another tied to a chair in a saucy pilot wartime scenario and requests for cross dressing boudoir shoots.

9. What is your biggest challenge in this field of photography?
Mainly reinventing my photography so it stays fresh and keeping my style unique so that it’s recognisable from the masses. Another is having unique sets, furniture and backdrops.

My main challenge with my clients is the age difference between us. Of late my average client is about 40-55 and I am 27 but look 22! I can tell when they arrive they expect me to be much older. In my head I imagine they’re thinking I am young enough to be their daughter and a lot of people have the opinion that you have to have 20 years experience to be good in your field.

So it’s a challenge I have with myself, being too conscious of what people may think even though they probably aren’t.

After we’ve had a coffee, good chat, giggle and got to know each other, the ice is broken and I can feel the trust gained and placed with me to deliver the results required.

10. What is your top 5 tips for portraiture photographers wanting to try a boudoir style shoot for the first time?

  1. Plan and prepare like there is no tomorrow. Make sure your client knows what to bring, how to arrive ready for styling, etc. The better prepared they are the better their photos will be.
  2. It is very important that you listen to what your client wants, ideas, requirements, what they want to get across in their photos and you have to do everything possible to deliver that.
  3. Gain as much practice at posing people of different body sizes and shapes as possible. For examples look on the net, clothing and lingerie catalogues and even paintings.
  4. Work towards a unique style; don’t just offer the same as someone else. Get a niche, yes it will be replicated after a while but be the best at it and keep refreshing your style to stay on top and be recognised.
  5. I think it’s very important not to undersell yourself. Some will complain that your service is overpriced, some don’t even think you should charge and that you should be honored to photograph them, others will pay willingly. Charge your worth and you will get quality, respecting clients.

11. Can you show us a photo which was the hardest for you to create, and explain why?
I’ve not had many hard shots to create but the most intricate was a pin-up scene for a sailor/beach look.

I didn’t just want someone on a blue background with a ring and sporting a sailor suit or bikini. I knew exactly how I wanted it, sand, sea, shells, foliage, nets, etc. The problems were sea and sand. I can’t have water as I don’t have the facilities in a boudoir studio and sand is just way too messy to whip away quickly ready for the next scene.

So I bought look-alike water and had a sandy colored dustsheet that I draped over boxes and cushions to make sand banks. I then added my other props and it looked better than I could ever have hoped for.

To create a sun style lighting would just be too harsh for the look I wanted plus harsh lighting isn’t the most flattering. So I used 2 soft boxes for the background, 2 for the model and then a huge beauty dish as my sun.

All together it gave me the softness I wanted and the beauty dish added that extra crisp edge and highlight to the skin. In Photoshop I added a few clouds to the blue background and softened the sandy dustsheet resulting in a set of shots I was very happy with.

12. What gear do you use?
I use Canon cameras, my main a 5D Mark II with 5D backup and a very old 10D as an emergency spare. Lens most used for boudoir is my Canon EF 24-70mm f/2.8L. I have Sigma 20mm f2.8 which I adore; it offers the most beautiful quality. A few more Canons and a Tokina from the old days stay in the bag.

In my studio I use Bowens lights and modifiers. My office has a mix of Macs for image work and pc’s for other things; I like to stay up to date with both systems.

13. Who are the other women boudoir photographers who inspire you?
I don’t really follow any other photographers and don’t know any to mix with; I’m a bit of a loner when it comes to togs. I’m one for being inspired by my experiences, movies, music videos, books, history and emotions.

I don’t like the idea of looking at someone’s image and thinking, “that’s good, I’ll try that”. I want everything I do to be as unique as possible. I want to discover for myself, create from my own mind and life. I can then be proud of my creations.

Check out more of Emma Jones‘ work at Miss Boudoir and keep up with her on her:

Blog: http://www.missboudoir.blogspot.com
Twitter: http://twitter.com/Miss_Boudoir
Facebook: http://www.facebook.com/pages/Miss-BoudoirR-Boudoir-Photography/

Photos of a dream around a dream

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As Adele Enersen‘s baby sleeps, she creates a wonderland around her. The result – amazingly simple yet beautiful shots that makes you smile and your imagination wonder.

For those of you who watched the recent movie Inception starring Leonardo DiCaprio and Ken Watanabe, instead of a dream within a dream – this is like a dream around a dream.

Adele Enersen definitely inspires us to use our imagination to make the simple things in our life a big adventure! Check out her work on her blog, Mila’s Daydreams here.

WIN a lavender daisy prop hat for babies!

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Are you an infant/ toddler photographer? A proud parent of your little angel? Or know anyone who has a baby you’d like to decorate with an adorable hat? We’ve got just the thing for you.

Posh Little Tutus is sponsoring one of their best products, the Lavender Wishes Infant Daisy Prop Hat specially for ChiqClicks’ readers. It’s soft, stretchy and blooming with dozens of lavender daisies!

WIN it by just dropping a comment on this post telling me what you think of the hat.

You can earn extra entries (to make your chances of winning higher) by:

  • Re-posting the link on this post on Facebook. Look for the link here and click on ‘Share’
  • re-tweeting this (copy and paste): RT @chiqclicks Win a baby prop hat that’s soft, stretchy and blooming with dozens of daisies from @poshlittletutus! http://ht.ly/2tSac
  • or/ and following @chiqclicks on Twitter here.

As a special bonus - all entries stand a chance to win this gorgeous ChiqClicks exclusive silver Camera Charm Necklace with an elegant clear Swarovski crystal accent.

Contest ends on 30th August 2010 (CLOSED)

Check out Posh Little Tutus‘ range of great photo props for infants and toddlers here.

Additional notes:
* Participants can be male or female (we love ALL our readers, Chiqs and Diqs)
* Winners will be chosen randomly using the Randomizer
* Winners will be announced on this blog.
* Winners will be emailed for their shipping address. If he/she does not respond within 1 week, a new winner will be chosen.
* Winner of the Lavender Wishes Infant Daisy Prop Hat will be have the item shipped to him/her by Posh Little Tutus
* Winner of the Camera Charm Necklace will have the item shipped to him/her by ChiqClicks from Malaysia via registered mail.

Interested in sponsoring a giveaway? Drop me an email at editor[at]chiqclicks[dot]com

American Suburb X on Dorothea Lange

Near Coolidge, Arizona. Migratory cotton picker with his cotton sack slung over his shoulder rests at the scales before returning to work in the field. (Photo by Dorothea Lange)

Dorothea Lange (1895-1965) is one of the few female photographers recognized for her important influence during a time when photography was male-dominated field.

American Suburb X’s well written article on Dorothea Lange, details her eventful photography career on how she started out working in a portrait studio, to taking her large, fixed-tripod camera to the streets to document the effects of the Depression for the Farm Security Administration (FSA).

Both her photographs and her captions provided insight into upheaval among rural laborers at a time when one tractor did the work of eight men and eight mules and farmers were turned off land that had supported them and their forbears for generations -American Suburb X-

During the World War 2, right after the Pearl Harbor bombing and anti-Japanese feelings were high, she documented the process of people with Japanese ancestory being relocated to interment camps. Controversy broke when one of her photo was used in a pamphlet by an activist, exposing the interment. But since the photo had already been published by the House Select Committee investigating defense migration, her credentials were never revoked.

Centerville, California. This farming couple awaits evacuation bus. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. (Photo by Dorothea Lange)

Hayward, California. A young member of an evacuee family awaiting evacuation bus. Evacuees of Japanese ancestry will be housed in War Relocation Authority centers for the duration. (Photo by Dorothea Lange)

Her historical photos of America at that critical time helped drive public policy – making her one of the most respected female photographers remembered and referred to even now.

A truly inspirational read, especially for those needing some extra inspiration. Read the full article titled “Unshuttered Lens: Dorothea Lange, Documentary Photography, and Government Work, (1935-1945)” on American Suburd X, here.

Photos from http://arcweb.archives.gov/

Interview with landscape photographer, Jessy C. Eykendorp

Ijen Crater is a nature reserve Ijen Park is located between Banyuwangi and Bondowoso District, East Java, Indonesia (© Jessy C. Eykendorp)

You’ve not seen Indonesia until you’ve seen it through Jessy C Eykendorp‘s lens. Better known as tropicalLiving on Flickr, Jessy’s photostream is filled with dreamy landscape photos that make postcards look bad.

ChiqClicks caught up with this Bali lass in an exclusive interview where she shares her secrets in creating stunning landscape photos.

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Pura Batu Bolong is a small shrine located just a stone's throw from the famous Tanah Lot temple (© Jessy C. Eykendorp)

1.How would you describe yourself in one sentence?
I’m the sort of person that just tries my best to enjoy life and keep things as simple as possible.

2. What’s your usual routine when setting up for a landscape shot?
I start by researching the location as much as possible before even getting there. Once I reach a location, I usually move around with my camera off of my tripod, and try to find a composition that will work best for me. After I find my composition, I setup my tripod and position any filters if necessary, tune my focus, set my white balance, and then hope that the good light appears.

3. How/why did you pick up landscape photography?
I started with macro photography, but living in Bali Indonesia, I was quickly moved by the great landscapes that exist all around me. While undergoing some personal problems, photography became my therapy, and became my one true freedom that helps me to relax, and get my mind straight.

4. Any preference for sunrise or sunset, and if yes why?
I like both, but for me, nothing beats the calmness and freshness in the mornings. Usually the lakes are calmer, making for perfect reflections, and often times, there is low lying fog or mist in the mornings. I love to listen to the birds waking up in the early morning too…

Photo taken at Pererenan Beach, Canggu, Bali. Pererenan beach is another surfing spot with a selection of villas close by (© Jessy C. Eykendorp)

5. Looking at the sun can be dangerous. What precautionary methods do you take?
I don’t do anything special for this except try not to look directly into the sun. I haven’t had a huge problem with it so far, but who knows, maybe I will be blind by the time I’m 40.. hahah

(© Jessy C. Eykendorp)

6. How much post-editing do you do?
I really don’t do a lot of post-editing. I sit in front of the computer a lot for my work, and prefer to get things as close as possible in the camera with the use of filters etc. I will usually make some selective contrast adjustments, some minor saturation, and some dodging/burning if necessary. After that I will sharpen it and that’s pretty much all I do…

7. To you, what is the biggest challenge when it comes to landscape photography?
For me, the biggest challenge isn’t the technical part, but just learning to be patient, and understanding that the good light and conditions don’t happen every single time you go out to make photos. Sometimes, I have to go to a location several times before everything comes together properly.

8. Can you give an example of a photo which you’ve invested a lot of time getting?

Picturesque Kawah Ijen is the world's largest highly acidic lake and is the site of a labor-intensive sulfur mining operation in which sulfur-laden baskets are hand-carried from the crater floor. Think you have a tough job? Try carrying 100 kilos through a cloud of sulfur down the side of a volcano (© Jessy C. Eykendorp)

9. Can you give 5 tips for newbies trying out landscape photography?

  • Learn to be patient. Landscape photography is not like other types of photography where the conditions are always the same (portrait, macro, etc). Several things can affect your landscape photographs, and conditions will often times not be ideal.
  • Always watch your histogram to ensure that you are not blowing out the highlights or any of the color channels. Try to expose to the right of the histogram as much as possible so that you can catch the most detail in your files.
  • Shoot in RAW, and learn to use a RAW editor.
  • Get to your location early, so that you have plenty of time to find a good composition. Nothing worse than getting to a location at the last minute when the sunset is amazing, and not being able to come up with a good composition.
  • Just have fun and enjoy wherever it is that you chose to be at the time. You won’t always get a good photo, but I think it’s also important to just enjoy being out there as much as possible.

Kedisan is a small rural village on the edge of Lake Batur, under the shadow of the magnificent active volcano Mt Batur (© Jessy C. Eykendorp)

10. What do you pack in your bag when you go out to photograph landscapes?
I personally love the super wide angle sweeping landscapes, so I never leave home without my wide angle lens. I usually also cary a 70-300mm lens for zooming in and capturing the more intimate pieces of the landscapes. I rely heavily on the use of Neutral Density, and Graduated Neutral Density filters, and have an assortment of these in my bag at all times, along with a filter holder.

11. How has using Flickr as a photo sharing site, helped you grow as a photographer?
Flickr has been a great for researching particular locations, and getting feedback on my photos. I have met some really great people through flickr, and also learned a lot by just looking at the EXIF information of other photographers.

12. Who are the other women photographers that inspire you?
I love the work of Hillary Younger. She’s a great landscape photographer and she is also a wonderful person. Please check out her photostream here.

Bromo-Tengger-Semeru National Park (© Jessy C. Eykendorp)

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Follow Jessy @ tropicalLiving on Flickr here.


Photos by Indigenous Youths in the City

Finding an affordable place to stay in the big city is not easy, even in the slums. This young Lahu woman is happy because she owns her own small house and doesn't have to pay rent. (Bo Sang slum, San Kamphaeng, Chiang Mai) (© Phacharaaphon Thanarootrungruean)

In show of solidarity to commemorate the International Day of the World’s Indigenous People’s celebrations today, here’s a highlight of a project where 30 indigenous youths from 6 cities in 5 countries were given digital cameras to photograph themselves or other indigenous peoples.

In the city they (indigenous youths) may feel a split between the world of their indigenous families and communities, and that represented by the urban environment. They may however also find new ways of expressing and recreating their indigenous identity, thereby widening the concept.
-indigenousyouthphoto.net-

The participants from Malaysia, India, Thailand, Bolivia and Brazil display their work online on this site called Indigenous Youth in the City. Here are some lovely photos by the female youths.

These young Lahu men have little education and have to rely on low-paid physical work to make a living. (Muang Mai market, Chiang Mai) (© Phenphisut Bianlae)

The profile of each photographer available on this page here, detailing their unique experience in the city.

A man comes back from his garden in the forest, where he likes to spend time alone. The road that he is walking on was once forest. (© Yusmalaily Atan @Elly)

© Diana Davila da Silva, Dourados, BRAZIL

“It (photography) is sharing with other people what one is feeling or simply saying what is going on in the world and what will happen.”
Diana Davila da Silva, Dourados, BRAZIL

Check out the many urban sights unknown even to city-dwellers, through the eyes of indigenous youths here.

Save water drink beer

ChiqClicks wishes everyone happy International Beer Day.

Here are some awesome ‘beer’ related shots from our favourite Flickrettes!

save water drink beer

The shirt says "save water drink beer" by vitamininmotion, on Flickr

Beer and Cookies / Week 28

Beer and Cookies / Week 28 by sadandbeautiful (Sarah), on Flickr

Crochet Necklace Root Beer Float

Crochet Necklace Root Beer Float by meekssandygirl, on Flickr

*click on photo to visit the photographer’s Flickr site

Submit your photos or photos by your favorite Flickr female photographer on to our Flickr group here.

Is ’round-the-world’ photography right for you?

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Hmong tribe girls look longingly at balloons in Sapa, Vietnam (© Aloha Lavina)

Find yourself wanting to ride a boat through the colorful floating market in Thailand one weekend and visiting the Swayambhu temple in Kathmandu the next? Round-the-world’ (RTW) travelling might be just the thing for you.

Aloha Lavina, a teacher by profession and an RTW traveler by heart, shares the amazing images she captures on her travels and helps you determine whether RTW is right for you, in this guest post below.

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Rajasthani girl hides her mouth and smiles with her eyes, India (© Aloha Lavina)

Sometimes when I completely fall in love with a place, I want to stay indefinitely.

Standing in the Sunday market in Bac Ha, Vietnam, my senses are overwhelmed by the colors. My camera is on overdrive. I am in heaven.

But I spend exactly one day in Bac Ha, leave the North of Vietnam, fly back to Hanoi then Bangkok, bringing back some images and the intention of going back.

I’ve only been to Luang Prabang a total of five days. My first time in Bali, I spent five days there. First time in Myanmar, seven days. The Rajasthan in India, a week. But each time, I was able to bring back some wonderful images and a sense of the place. I didn’t have to stay indefinitely.

I know people who quit their jobs and became travelers full time. One of the most famous of these is Jodi, also known as Legalnomads. Another is Matt, known to everyone as NomadicMatt. They both quit corporate type jobs to do RTWs, or round-the-world trips. There are a lot of full-time RTW travelers: on Twitter alone, @solotraveler, @BKKMichael, and even an entire family, @GotPassport, who have sold everything they owned and relocated to Chiang Mai, Thailand just over three weeks ago.

Buddhist monks walking for alms, Luang Prabang Laos (© Aloha Lavina)

Sometimes, when I completely fall in love with a place, which happened in Burma last month, I wish for a moment I too could just make like Gauguin and run back to the place I was from the place I am.

But is RTW the right answer for everyone? Does short travel make you less of a traveler? I’ve thought about these questions a lot lately. Here are some thoughts.

1. Short travel is OK if you are already an expat.

I’ve lived in Thailand and other countries. I haven’t been in what most people would consider “home,” really, since I was sixteen years old. Wherever I am at present is “home” to me. So I am a full-time expat. What I love about being an expat in Bangkok is that I am able to use all the conveniences I would have back home, and (seriously) there is a direct flight to five continents from this city. So when I have the time, I can fly somewhere with my camera and notebook, and then fly back home. In 2007, for instance, my busiest year thus far, I flew 47 different times to 17 different places and was back on Monday for my full time job.

Woman giggles at photographer’s strange Vietnamese accent, Can Tho (© Aloha Lavina)

2. You have a job you love.

The people I know who quit their job to travel did not really enjoy what they did as much as they enjoyed travel. Shamelessly, I can talk about my profession for a whole day and never tire. I teach high school English and design curriculum, and I love it. I love the possibility that is in each life of each child I teach; I love the light that happens in their eyes when they understand something, when they learn. And I love that at the end of the school year, I am able to look back and appreciate that my hard work has made someone love learning.

A Buddhist monk looks through his laundry in Luang Prabang, Laos (© Aloha Lavina)

I thought about quitting teaching to engage in my other job, freelance commercial photographer and journalist. But in all these years of being busy both Monday to Friday with school and Saturdays and evenings with photography and writing, I honestly cannot say I would be happy without either. So I am both.

3. Your travel needs you to lug heavy equipment around.

I travel so I can create images. The lightest equipment I take somewhere includes a DSLR, at least two lenses, four camera batteries, a storage viewer which can hold up to 160 GB of photos, a notebook (paper based tool I can carry in my pocket to record snatches of thought).

I also budget my reading when I travel, because when it’s too dark to take photos, I usually don’t ‘go out’ in the conventional sense, so I read. On a recent eight-day trip to Bali, I read the three books I brought in five days, and I had to buy Eat Pray Love and The Girl Who Kicked the Hornet’s Nest for the three days left plus the plane ride.

A rickshaw driver looks through the awning of his rickshaw, Kathmandu Nepal (© Aloha Lavina)

And, sometimes I have to carry a tripod and a laptop.

If I had to lug this equipment around on my back for a whole year on an RTW, I think one of a few things would happen:

  • I will run out of storage space for new photos. On an average day on a photo trip, from pre-sunrise to sundown, I take around 24 GB of photos. Do the math—even if I delete the mediocre ones nightly, I would still end up with at least some 12 GB of photos a day. That makes 160 GB last for an average of 13.33 days, nowhere close to a year. Of course, I could bring more than one storage device, thereby sentencing myself to a lifetime of back problems. (All this equipment on my back every day weighs 16 kilograms which I carry while chasing images.)
  • I will spend lots of money on books.
  • All of the above.

4. You want easier budgets to handle.

A family walks in moonlight carrying an offering, Bali (© Aloha Lavina)

I generally like nicer hotels. And because I often travel more than 200 kilometers a day from the sunrise location to the sunset, I have to hire a car. When traveling, a nice room and a reliable car often are my two biggest expenses.

5. You want action-filled days.

Tom Swick of World Hum wrote that traveling is “creative hanging around.” For me, that doesn’t mean sitting. As a rule, I am constantly in motion when I travel. On my feet at a location, I can explore ways to make better images than if I sit somewhere and wait for a shot to walk by.

Of course, I also do hang around. I have to make friends before I make photos—that’s another of my rules. So a lot of time is spent socializing with the locals, eating with them, visiting their families, and a lot of time is spent working with the camera. The rest of the time is slow eating and sipping good coffee while writing down my thoughts. Days and days of this, then I go home and process both the photos and my thoughts.

I like being able to live episodically when I travel. It demands that I pay attention to the present, every single minute of every single day.

And it works for me. How about you? Is RTW right for you?

Originally posted here.

Pa O tribe man looks out a temple window, Myanmar (© Aloha Lavina)

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Aloha Lavina has been in Asia since she was 16. Traveling from her base in Bangkok, Aloha has been stuck in an ash cloud in France, trapped in a flash flood in the Philippines, caught in seven coups d’etat in Thailand, and spent a week not talking at a Benedictine Abbey in Jamberoo, Australia.

Her writing and photographs have been featured extensively in publications such as UTATA Tribal Photography Magazine (USA) and  Danse Avec la Terre, a photography book for Haiti published in France.

Keep up with Aloha on:
Her blog: www.pointofutterance.com
Her website:
www.alohal.com
Twitter:
www.twitter.com/alohalavina


Putting a camera behind bars

While most people would assume that the only photography that happens in prison is from the footages of the security camera – a women’s prison in Romania proved otherwise.

According to PetaPixel, photographer Cosmin Bumbut lead a photography workshop with 14 women in a Romanian prison.

Bumbat furnished 14 women with six Canon PowerShots plus cards and batteries,  and taught them basic photography. The photo workshop began meeting weekly, and within two months, the class had produced some 14,000 images
- PetaPixel -

The photos from the workshop using this ‘community-based’ method are stunning. View the album on Punctum here. (note: not all photos are safe for work)