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10 gastronomic tips from a foodie photog

Category : Featured articles, How to, Top 10 Tips

Your mother might have told you that, “the way to a man’s heart is through his stomach”. What she forgot to add is, “your stunning photos of your cooking would steal a great many more hearts!”

Food is an excellent photography subject. Good food usually looks appetizing and for most types of food, it stays still long enough for you to set up the photo.

Chiq Clicks is happy to bring you Haniela’s top 10 tips on taking better photos of food. Haniela’s an excellent baker and photographer (of course!) and like many of us, found her passion for photography through Flickr.

Whether you’re a foodie warrior out to snap a photo of every meal you take to share on Facebook, or a serious chef/baker wanting to document your creations, Haniela’s simple tips below will turn your nice photos into stunning ones.

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1. CAMERA  – LENS

Camera
With camera you basically have  2 options :

  • Point and shoot
    It was around Valentine’s day 2008 when I first started taking pictures of food, I made some cookies took the pictures and then I found Flickr and I was hooked. I first started with Sony Cyber Shot 5.Megapixels (SONY DSC-V1) but I have overgrown it really fast and was ready for another adventure…a DSLR.
  • DSLR (Digital single-lens reflex camera)
    Since 2009 I’ve been using Nikon DSLRs. I’m not going into which is better, Canon or Nikon, as I have only been using Nikon and I have no experience with Canon brand. I started out with Nikon D200 and then  I changed to Nikon D300.

Lens

Quality lens is really must. As they say glass matters the most.

Good lens doesn’t have to be expensive, Nikon 50mm 1.8 or 50mm 1.4 are really good choices to start with, they are  prime lenses (no zoom) but offer a great sharpness of the image. I know it has no zoom, but with food it really works great, and I’ve used it on some outdoor portraits as well.

I also use Nikon 17-55mm f/2.8, this one sits on my camera on most days. It offers excellent optics and sharpness is great throughout out the range. I just love it.

I also work with Nikon 105mm f/2.8 AF Micro, it is a beauty.

It really comes down to what you are the most comfortable with and what you can afford.

2. TRIPOD

Tripod is a very important part of your gear. Personally I can’t do without a tripod, it is must for me. Tripods are made from variety of materials, from the cheapest: plastic aluminum, basalt, and carbon fiber are the most expensive ones. Depending on your budget and your needs get a tripod that will be able hold your camera.

I’ve tried few brands, I like Manfrotto brand and most days I use the Gitzo, that is an expensive carbon fiber tripod. But if you do nature  and wildlife photography where lots of hiking is involved, you better get yourself something that is light. I’ll never forget that 6 hours hike I took with a super heavy tripod on my shoulder which gave me a bruises and blisters. That heavy tripod was sold and replaced with a carbon one and I’ve never looked back.

If you are using point and shoot, you must definitely use a tripod when taking  food photos.

3. LIGHT AND LIGHTING

I’ve been using mainly natural light when taking food photos, though I’ve tried studio lights as well. I’m still on a learning curve about these. I would love to try a strobe sometime soon as well.

Usually I try to shoot in the middle of the day or early afternoon. Pay attention to the strength of the light as it changes throughout the day. For example, early afternoon light can deliver a nice bright light but it also can be very strong producing harsh shadows in your photos.

When taking photos indoors I recommend to test the light in your house during different times of the day. The best place is by a large window or opening, with the light coming in diffused by a white curtain, or you can use a white bed sheet. I use a white diffuser.

I also have 2 skylights in my kitchen, so when I need it I have light coming from above.

I actually prefer sunny days over cloudy ones, as with sunny days I get to play more with the light as it has more direction and casts shadows. Of course there are times, when there is just too much light.

4. REFLECTORS

I love reflectors, they are vital to food photography and they are so much fun.

I bought a kit of reflectors, with gold, black, 2 white diffusers, silver and a lightly golden one. You can make simply table reflectors by using card stocks from a craft store. Use silver or if you want warm it up a little use a gold one.

In the shot above (donuts in the cage), I used mirrors and aluminium foil pieces placed on the table and ran the mirror from the left through a glass jar.

  • Mirror - you have to be careful with it as it gives you a very directional light and can cast weird rectangle shapes, but I still like it as it is great to get the light where you want it.
  • Aluminium foil – it has so many uses. You can make little balls with the  shiny part up and place them around the table. If in a hurry you could also get a silver windshield protector and use that as a reflector.

Get Inspired. I have a lot of magazines with food photos and I try to understand how each shot was taken, where was the main light, etc. I love Arthur King Flour’s catalogue, it is full of great photos which I try to pick up on the lighting tricks from. Even though they are using all studio lights and I’m doing all natural lighting, I think it applies to both, just the way you get there is a little different.

Example 1: I directed a reflector to run the light just across the top of the white part to make it really shine.

Example 2: A very simple demonstration of how white diffusers works (I have to say even though my cake threw a very harsh shadow it was a pretty impressive one too).

Example  3: We just picked winter squash and before I cooked it I wanted to snap a picture. Well it seems I can’t just go and snap a picture anymore!

Originally I wanted to shoot it on the table, but then my eye spotted the bench and I thought, hmm, that could be interesting and it certainly was. You don’t see what preceded this shot, but the squash collapsed several times before I was finally able to secure each one of them. At the end I was praying so it would stay like that for at least a minute or so, so I could take some pictures. As you see I positioned the smallest ones in the front and I tried to arrange leaves there too so it wouldn’t look so bare.

5. CAMERA SETTINGS

The settings I normally use are:

  • ISO – Manualy set to minimum to eliminate noise in pictures.
  • EXPOSURE -I preferably shoot Manual or Aperture priority when taking food photos
  • APERTURE & Depth of field (DOF) -  When I first  started taking photos with my point and shoot, I was so desperate to understand how to take pictures with blurred background. I think I read about aperture setting more than about anything else. In short, your aperture settings effect your depth of field (DOF). You probably heard this term someway along the way – it is defined as the portion of a scene that appears acceptably sharp in the image and increasing the DOF increases the sharpness of an image. To increase DOF, you can use a small aperture setting (read more on Aperture from Wikipedia here). With my lenses I have  the largest  apperture/fstop/ at 1.8 with my 50mm and 17-55 mm, and 2.8 with the macro. I usually play with different aperture settings to achieve the desired effect.

  • WHITE BALANCE – Depending of the light, but mostly it is set on daylight or auto.
  • EXPOSURE COMPENSATION (EV +/-) – This is a very useful  feature on the camera that allows you to adjust the exposure measured by its light meter. It helps you to control the amount of light that enters the lens. I use this feature when light is very bright and there is high contrast in a scene. It is also useful when subjects are back lit where sometimes the camera is fooled by the light behind the subject and as a result the subject appears too dark.

  • FOCUS – Manual

  • SELF-TIMER – I use self-timer set for 10 seconds. Using a self-timer gives me the freedom of using both of my hands to hold a reflector or a mirror if needed. It also eliminates shaking which will be captured in the photo.

6. PROPS – BACKGROUNDS – STYLING

When using a fabric, I try to keep it simple. Solid colors seems to work the best and then you can add little color with your props or a small napkin. I bought a lot of small fabric pieces to accent my photos at a fabric store, or you can find really nice kitchen towels at a dollar store too. I always look for props.

I don’t really have a preference of what color I like best. Obviously white looks great but when I take photos I usually try different backgrounds until I find one that fits the best for the subject. I’m still growing my fabric collection.

As for the props, Ikea has a wonderful selection of different bowl, jars etc. I love my weekend visits to garage sales. Especially now in the Fall there are so many of them. You can find really unexpected things there. Just keep your eyes open for little things that can add character to your photo. I love how food looks on a white plate but since nothing is set in stone I try different colors as well. Again, look at magazine food shots, or cookbooks. I find styling to be challenging, I learned that less is more.

  • Don’t clutter your shot with a lot of different props. Simple napkin, fork or knife will do just fine.
  • Test different backgrounds, either solid, or patterned. Scrapbooking papers are great too. Make sure that fabric or paper will cover the area of view
  • Experiment with different plates, bowls, silverware, ribbons, etc. Ingredients can be part of the set up as well.
  • Use only the best samples you have available to you (perhaps you made 12 cupcakes, so pick only the best of the bunch)

Example 1: Use of a simple prop. Knife bought at a flea market ($2)

Example 2: Flower matching the napkin color adds a nice touch.

Example 3: I used a cut out parchment heart and a ribbon to make it more interesting. Background is satin red fabric. Perfect for Valentine’s Day.

Example 4: I lined the smallest box I could find ( I think it used to be  a small jewelery box) with pink tissue paper (Victoria Secret).

Example 5: I had this shot in my head for a while, I planted some grass into a pretty green container and voila, it made a perfect Easter Egg Photo prop.

7. PREPARATION AND MY LITTLE HELPERS

I usually set my table before I have food ready and I test the light so I know what to expect later. I usually  iron few backdrops just to have a few choices.

My tools include tweezers, paper towels, cotton swabs, glycerin, vinegar – it does magic on plates, I use it make them really shiny and spotless, spring clamps, painter’s brush to remove crumbs, sometime I use  tape to pick up crumbs if I can’t get there with the brush. I use all kind of little helpers.

Example 1 (right): Aluminium foil & glass pebblesThe cookies wouldn’t stand on its own even after trying aluminium foil balls, little tubes, etc. So what I did was I placed few glass pebbles inside of the alluminum foil and made shapes, don’t ask what shapes they were just some shapes, in such fashion so they wouldn’t be showing through when shot at table level, but they would hold the cookie up. I balanced each cookie and this is the photo that came out.

I really wanted Flying Halloween Witches….and I think I got them. ;-)

Example 2 (below): Paper towels – I love them, I use them to support cookies on a plate as cookies – they just keep sliding and sliding, it is nearly impossible to place them on the plate without some kind of support.

I used few paper towel pieces in these shots to keep the cookies from sliding into the dish.

Example 3: Parchment paper – I used parchment paper pieces in these Raisin Bread photos. The reason why I decided to use parchment pieces was very simple,  I used a fabric background with a very natural feel and since I knew I’d be moving the bread around a lot.

I didn’t want the fabric to get all dirty from the raisins that were all over this delicious bread, they’re very soft and they would definitely dirty the fabric. I cut out rectangle pieces of parchment paper and placed them underneath of the breads. It worked wonderfully.

I photographed this bread for my friend Bread Artisan Maker Rachel from Mangez Brioche, she entered her bread into a Bread Contest, and her bread based on photos and her formula was chosen to go into the final round and she will be attending a bake off in Kansas.

Addition of a simple prop as stalks of dried wheat made it look more interesting.

I was very pleased with how I was able style this shot. I love the DOF here.

8. SHOOTING STYLE

Practice Practice Practice

I like to do a little research, study food photos in magazines and in cook books. Then when I’m ready to shoot I always try different angles, but generally the closer you can get better.  Shoot the whole set up from from above, at standing level, at table level and don’t be afraid of exploring and have fun with it. Get closer with a macro lens, or wide lens.

Example 1: Here I shot the whole set up from an angled position from above and the second shot is a close up.

Example 2: Using the same prop, a gorgeous antique scale, two different angles can give you totally different perspectives.

Example 3: From above.

Example 4: Shot at table level.

Example 5: Get Close.

9. ERASING AND FORMATTING MEMORY CARD

I do the both. I shoot a lot and it seems like memory cards need a little boost after they’ve been all filled up. Once you download your pictures to the computer, back them up and then format your memory card in your camera not in the computer.

I didn’t believe it, but I did a little test, I deleted all my images on the memory card and I checked what is the available number of photos I can take, and it was a rather small number so I formatted the card and voila, number jumped up.

Formatting improves the performance of the memory card.

10. FILE FORMAT AND EDITING

I shoot in raw and my online photos are mainly PNG.

I use Capture NX for  editing and converting photos and then Corel Paint Shop Pro for adding watermarks, text and such.

The beauty of Raw format is that in the software application you are able to work with the photo like you would in a darkroom, you can still go in and adjust exposure, correct the white balance etc.

I keep my editing to a minimum, usually it involves adjusting the contrast, boost of color and if needed, color control point.

Article originally posted here.

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If Haniela is not outdoors hiking to waterfalls, the self-taught photographer can be found baking and sharing her delicious recipes and delectable photos on her blog. Keep up with her on her:

Blog – www.hanielas.blogspot.com/
Flickr – www.flickr.com/photos/haniela/
Facebook –  www.facebook.com/pages/Hanielas/

Fashion tips for female wedding photographers

5

Category : Featured articles, Girly Gear, Top 10 Tips

When you have to lug 30 pounds of photography equiptment around all day, your confidence in how you look matters a lot. And trust us on this; when you’re uncomfortable, it shows on your face. You don’t want that.

So, before you commit a fashion crime (hey, people watch what photographers wear too, you know), ChiqClicks brings you hot fashion tips by photography goddesses Anna-Rina, Grace Tan/ Stories and Visithra/ V-Eyez. Grab their advice and steer clear of the mishaps they’ve made while juggling fashion and work both at once!

Anna-Rina

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1. Should wedding photographers try to stand out or blend in the crowd during a wedding?

A: As much as possible, I try to blend in with the crowd. Usually just by dressing in neutral colors such as black or white, I reckon it works. But sometimes, when you’re carrying bigger gear and running around like mad, it does get kinda tricky trying to achieve the art of being a fly on the wall.

Grace Tan

G: I always believe in a wedding photographer blending into the crowd during a wedding. Everyone is dressed smartly and we should too! We should avoid using grubby t-shirts or clothes that are too casual, unless it is stated that the attire is casual. If the couple has requested for guests to dress up in a particular colour code, I’d try to make sure I do that too. That’s just a matter of respect. At the end of the day, the clients treat me as their friends, and not just see me “The photographer” as any vendor providing a service.

V: Wedding photographers should wear clothes that suit the event and yet is comfortable for them to shoot in. If it’s a formal event keep to the theme and stay smart casual but if it’s a laid back event, capri’s are fine but I would still not recommend wearing shorts or micro mini’s. You’re going to be at the front most of the time and how you work can make or break a potential clients’ view on you.

2. What would you wear for a:

Muslim wedding
A: For the solemnisation ceremony, I would have a scarf to cover my head (a must at mosques!) and I would usually wear a kebaya top with slacks. After the solemnisation ceremony is over, I’ll just pack up my scarf and head off to shoot the reception.

Non-religious wedding
A: Black or grey slacks with a nice black or white top. If its an outdoor venue or someplace I know is gonna be hot, I’ll usually wear a tank top with a vest to formal it up a bit. If its someplace I know is gonna have awesome air-conditioning, I’ll wear a long sleeve top. A lot of people ask me why black and white only? Well, I don’t know about others, but personally, I sweat a lot when I’m shooting. Black and white tops don’t show sweat stains as much as other colors do.

The above is generally what I wear but I have worn flip flops and khaki pants for an intimate poolside reception before. It was a small wedding BBQ reception with less than 20 guests and my clients had specifically told me to be casual and comfortable, so I did.

Grace Tan

Church wedding
G:
I’d wear something smart casual/ a little more formal. For example, pants & a nice shirt/ blouse. I don’t usually wear jeans in a church wedding. And though I’d LOVE to wear a dress, I don’t think I can pull it off, bending in funny positions and climbing up chairs!

Chinese wedding
G: The first half of the day is usually a little more casual, so I might wear jeans and a shirt/ nice blouse. For dinner, I will wear something a little smarter and definitely not jeans. I sometimes throw on a jacket, especially since I don’t really like feeling cold!

Indian wedding

Visithra

V: I actually occasionally shoot some of my Indian wedding ceremonies while wearing a saree! So I’ve had guests come up to me and tell me they’ve never seen someone shoot in a saree. I make sure the saree covers my sides so that I don’t have to worry about it moving while I’m shooting.

But if the weather is too hot I’d opt for a salwar khamez top with jeans or slack. Most of the time I won’t be wearing shoes as it’s forbidden to wear footwear anywhere near the place the Hindu rites are being done. For receptions I would also wear dresses or long skirts with modest blouses. With all the lower angle shots I do, I don’t want to be raising eyebrows when my neckline decides to do a Janet Jackson!

Indian ceremonies are usually formal so stick with the theme. Do not wear see through tops or cleavage and bottom bearing clothes – you’d be distracting the guests.

3. What’s your most favorite attire for a wedding shoot?

Anna's crocs

A: I might be committing a fashion no-no by saying this, but the ballerina flats from Crocs aren’t too bad. They’re my staple shoe wear for almost all my shoots as they’re easy to clean, easy to match and most importantly, uber comfortable for a long day of shoot.

G: I wear my Clarks shoes in all my wedding shoots! I love it, and it’s the most comfortable brand I’ve tried so far (that’s not a sport shoe!). As for pants, I don’t have any particular brand – as long as it is comfy, not too tight and won’t rip halfway through my shoots, I am happy!

V: I confess I love wearing the saree when I shoot cause people notice it. It usually breaks the ice with the guests and you get to have more casual reactions to the camera and less people freezing up when you focus on them.

4. When you’re in the mood, what would you wear to try to ‘dress up a little’ for a wedding shoot?

A: I change the covers on my Shootsac Bag. And I think they’re quite striking for I’ve actually had a few female guests from a couple of weddings asking me where I bought the bag from.

Grace Tan using a Shootsac

G: I accessorize! A nice necklace that is not too long (as long as it doesn’t get entangled with my camera straps and choke me!), but usually earrings. I LOVE earrings! I would love to wear a dress, but have not really been that brave to combine a dress and a Think Tank pouch yet! The times that I did, I thought it looked a little weird.

V: I don’t think the saree can be topped so I’ve already done it.

5. What kind of attire would you discourage others from wearing to shoot a wedding?

Anna-Rina shooting at a wedding

A: Anything too revealing or flashy is definitely a no-no. And for me, being too casual / under-dressing would be an insult to my clients. Its their big day and most probably most of their guests have dressed up for the big occasion. I would at least put on a decent looking outfit to celebrate the day.

G: I would NEVER shoot in heels except if I was on a suicide mission. I can’t run fast enough and I might just sprain my ankle if I am clumsy. When I shoot weddings of a different culture, I make sure that I fit into their accepted attire code. For example, I would not wear a sleeveless, sexy top in a Malay wedding. And when entering a Sikh temple to shoot Punjabi weddings, I would wear a head scarf since it is a requirement in their religion.

V: Keep to the smart casual theme regardless of what kind of wedding you are shooting. So no Bermuda shorts and singlets at a formal wedding, no see through tops, no micro mini’s and ultra short shorts, no cleavage bearing tops, make sure you shave your armpits if you’re going sleeveless. Always remember you are your brands’ image so dress wisely.

6. What is the worst thing you’ve worn to shoot a wedding?

Oopps - Grace Tan's fashion mishap

A: An old black shirt which was a tad bit tight on the chest part (my back muscles were wider due to doing a lot of pull ups during my gym workouts!) Lets just say at certain angles, some guests had a complimentary peep show *shy* Thank goodness I had a decent bra on and not some granny ones!

G: I think wearing a dress with my Think Tank pouch. Haha…. (read Grace Tan’s ‘Fashion Savvy Female Photographer’ blog post here)

V: I haven’t had a wardrobe malfunction (thank god!) but at one wedding I shot, I had my hair tied half way and when I saw the layout of the reception area I was a bit worried about the candles. Minutes into the wedding, my hair caught on fire while I stepped back to give way while shooting. Thank god a guest saw it and saved me in time. While I didn’t lose much hair, the hair was promptly wetted down and slicked into a bun before I continued shooting. Good thing though the crowd decided to adopt me as their own and were all concerned and smiley everytime I approached them for a photo. Definitely one of my most favourite weddings despite the minor setback. ;p

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VISITHRA is a bubbly photographer who can bring out a smile from anyone.  She was recently featured as Faces magazine’s Top 10 Female Wedding Photographers.

Website: http://v-eyez.blogspot.com/
Facebook: http://www.facebook.com/V-Eyez-Imagery/
Twitter: http://twitter.com/visithra

ANNA-RINA is a self-taught photographer. With her photo recently gracing the cover is Asian Photography magazine, she definitely taught herself well..

Website: www.Anna-Rina.com
Facebook:
www.facebook.com/pages/Anna-Rina-Photography
Twitter:
www.twitter.com/annarina

GRACE TAN is the founder of Integricity Visuals. With years of experience in film-editing with award-winning local productions in her resume, Grace now uses her eye for art to tell beautiful stories of weddings and family portraitures.

Website: http://stories.my/
Facebook: http://www.facebook.com/Stories.my
Twitter: http://twitter.com/StoriesMY


Top 10 Tips to photograph infants, babies and toddlers

2

Category : Featured articles, How to, Top 10 Tips

Babies, infants and toddlers seem like pretty easy subjects to shoot (pun intended). Like Puss in Boots – they are innocent, cute and sweet.

© Asther Lau

Those who have tried would know that they aren’t always the angels we think of them as. One wrong glance, a funny smell or any other mysterious elements could set a baby weeping and screaming. Or worse, those that can crawl might crawl away from you. These pooping and peeing creatures may seem like aliens from another planet especially for those of us who are rarely around babies.

To help us understand and communicate with these little people, I’ve gotten the expert help of Asther Lau, a well-known infant, toddler and baby portraiture photographer in Malaysia who has been taking photos for the last 5 years. As a mother herself, Asther’s experience helps her understand and anticipate what her little clients want. She’s generously sharing her knowledge in ChiqClick’s first and exclusive – Top 10 Tips.

Quick notes (via dictionary.com)

  • Infant - a child during the earliest period of its life, esp. before he or she can walk; baby.
  • Toddler - a young child learning to walk
  • Baby - an infant or very young child

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Tip #1: Let them be!

Babies & toddlers are happiest when they’re doing what they want. Be it playing, running, eating, or just sleeping.

© Asther Lau

© Asther Lau

When I arrive at a client’s place to capture their newborn’s moments, I’ll plan my session according to the baby’s mood. If she wants to feed, then let her feed and I’ll work on capturing the mother-baby moments. If she wants to sleep, then let her sleep. I’ll then slowly work around posing her for some cute poses.

It’s the same thing with older babies or toddlers. There’s no point forcing a child to pose for the camera. You can suggest by making the session like a game session between you & the child. But in the end of the day, just let the child decide what he/she wants to do.

Tip #2: Camera Equipment

© Asther Lau

Okay… this one is based on my own preference & experience. Some other photogs might do it or prefer it differently. I have only 3 lenses with me. A portrait lens (50mm), a zoom lens (70-200mm) and a wide angle lens which can also take macro details (24-70mm).

I use the portrait lens for most of my shots. Almost 90% of the whole set. The one I have allows me to take photos in very low-light situation, hence, it helps a lot with my indoor shoots.

I use the zoom lens a lot when I go outdoor with a running toddler. It allows some distance between me & the child, hence, this makes me almost “invisible”. A toddler will be more relaxed & willing to play more. Also, I don’t really have to run with the toddler to capture the moments I want.

I use the wide angle lens more for a big family set-up or a very small indoor area. And since it can take macro shots for me, I use it a lot for my newborn sessions too for details like little fingers & feet. Get CLOSE to get those details. Details shots are a must have! ;)

© Asther Lau

My camera mode is always on Manual with burst mode which helps a lot when it comes to capturing the moments I want, especially with an active child.

I try to avoid using flash/external strobes when it comes to photographing children because it can be very distractive, sometimes scary for the children. As for newborn, although you can use bounced light off the wall or ceiling, I still prefer to work with natural lighting as some parents are worried about the effect of the flashes on their baby’s eyes.

Tip #3:  Be prepared

For outdoor sessions, bring along things like

  • wet napkins
  • mosquito patches
  • sunblock lotion for babies/children
  • first aid cream for babies/children

© Asther Lau

This will help keep both the babies/children AND parents comfortable throughout the session. Some toys will always come in handy to help distract the children. Things like bubble-makers, a rattler or even a phone that plays some cute sounds.

As for indoor sessions, I always bring extra props such as blankets or swaddling blankets, etc. I will always expect my newborn clients to pee or poop during their “naked” sessions. ;) Don’t freak out when the baby pees or poop on you. EXPECT that to happen cause it almost always happens!

Tip #4: Plan the session with the parents.

Pretty similar to wedding photography, you’ll need to plan things out with the parents prior to the photo session. Let them know how you work, your preferred style, etc. Besides discussing on what attires to wear for the session, discuss further on what to bring as well.

© Asther Lau

I always advice the parents to bring along some necessities such as:

  • extra diapers,
  • food & water (or milk),
  • favorite toy/pillow,
  • and most importantly, the person the child is most attached to, which is normally the main caretaker (a grandparent, a helper, etc.).

The caretaker will most probably be the best person to make the child smile or laugh. ;)

© Asther Lau

Location planning is important as well. It has to be an interesting place for the child YET safe for him/her to play about. Make it interesting and fun cause children love to discover new environments. Familiar surroundings also helps, for example a place the child frequents with the family.

Tip #5:  Be a friend

I always introduce myself when I first meet a toddler. A slow approach will look less intimidating for the child, so I always bring myself down to his/her level and smile first. Give a token of friendship in the form of a little gift such as a sweet or a toy. It’s also important to show the child that you’re a friend of his/her parents. So talk to the parents & smile or laugh a lot. Eventually the child will warm up to you as well.

Tip #6:  Always know when to say enough.

Babies & toddlers have a very short attention span. And they tire easily too. So always know when it’s time to take a break or to finalize the session.

© Asther Lau

When I see tell tale signs of fatigue (crankiness, extreme attachment to a parent or caretaker, etc.), I’ll let the parents know that it’s time to take a break or wrap up. Ending a session with a little picnic will help tune everyone down. Food & drinks are the best remedy after an active day. ;)

I always encourage parents to interact with their children. Play, cuddle, make funny faces. All this will bring out an expression from the child.

As for newborn session, I usually will do the handling of the baby myself when it comes to prepping & posing the baby. But I always have the parent(s) available nearby to assist, especially the mother cause every baby is most comfortable when sensing the mommy’s presence, especially breastfeeding babies.

Tip #8: Use anything & everything

For my newborn session, I like to put the baby in or on anything I see fit & nice. ;) It can be a little bowl or a flower pot, or just a swaddling blanket or a little corner of a huge bookshelf. My current favorite is anything that screams DRAWER.

© Asther Lau

I encourage my clients to look around their home for any useable props instead of going out & spend money on new things. This is because I find that these old items have more sentimental value than those new stuffs. The parents will look at the photos taken years down the road and go, “hey… that’s the drawer from baby A’s wardrobe. It’s always full of clothing cause mommy can’t seem to stop buying new ones for him!”. Get my gist?

© Asther Lau

Tip #9: Be PATIENT

It’s a hard, tiring job (and often enough messy) when it comes to photographing children. You’ll sweat buckets & almost every muscle will need to work when you try to get the shot you want. So take as many photos as possible. Take your time. Some of my favorite shots took me ages to obtain. So persevere and you’ll be rewarded. ;)

Tip #10: Relax & be happy!

Babies & toddlers detect negative vibes from people around them very easily. So, try to relax & think happy thoughts when you’re photographing them. If you’re stressed out, even a sleeping newborn will wake up & make a fuss cause she sensed your frustration. Playing a happy or peaceful music in the background may help. Have small chats with people around you. Anything that will help you relax! Except alcohol and drugs. ;)

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© Zach Chin

Asther Lau is a professional Newborn & Baby, Toddler & Children, Maternity & Family photographer based in Malaysia. Besides portraiture, Asther’s other talent includes underwater photography with publications in magazines such as X-Ray online dive magazine, Air Asia’s inflight magazine and front cover for Action Asia.

Asther’s official blog and website: http://astherlau.com/
Flickr: http://www.flickr.com/photos/astherlau
Facebook Fanpage: http://www.facebook.com/pages/Asther-Lau-Photography/